WHY LOVE ISLAND IS THE BEST KEPT GUILTY SECRET ON BRITISH TELEVISION by Lyndsay Duthie
This article was originally published on The Conversation on 4 June 2018. As is so often the...
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Author: Tobias Steiner
SUBVERSION OF NOSTALGIA AS A STRATEGY OF ENGAGEMENT IN ALTERNATE HISTORY TV: 11.22.63 AND THE MAN IN THE HIGH CASTLE by Tobias Steiner
Beginning with the popularization and mass availability of television in the 1950s, the medium has...
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OF MASSES AND NICHES – TV CONTENT AND THE STORY OF (LARGEST) TRANSCULTURAL COMMON DENOMINATORS by Bärbel Göbel-Stolz
I have been thinking about a piece written by Elke Weissman[1] a lot recently. In it she describes...
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CfP: VIEW Journal “Canned Television Going Global?”. Deadline: Nov 19, 2018.
VIEW Journal Call for Papers on “Canned Television Going Global?”: The Transnational...
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CfP: symposium “Commemoration, memory, archive: investigating commemorative and memorial uses of personal, non-professional images in the digital age in the Global South”. Sept 4-5, 2018 @ University of Sussex (UK). Deadline: July 09, 2018.
A symposium at the Attenborough Centre for the Creative Arts University of Sussex 4th and 5th...
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