The Immortal (Un?)Beloved by Melissa Beattie

Feb 20, 2026

‘Plus ça Change, Plus c’est la Même Chose’?: CBC’s...

Feb 13, 2026

On Task, the Women are Robbed by Delanie Widdifiel...

Feb 13, 2026

Slowness as Antidote in Vince Gilligan’s Pluribus ...

Feb 13, 2026

Slow Television, Vivid Crime: Steven Zaillian’s Ri...

Feb 6, 2026

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The Immortal (Un?)Beloved by Melissa Beattie

Feb 20, 2026

Those of you who have been following my work for awhile may have realised that I have a certain...

‘Plus ça Change, Plus c’est la Même Chose’?: CBC’s Saint-Pierre by Melissa Beattie

Feb 13, 2026
On Task, the Women are Robbed by Delanie Widdifield

Feb 13, 2026
Slowness as Antidote in Vince Gilligan’s Pluribus by Sarah Lahm

Feb 13, 2026
Slow Television, Vivid Crime: Steven Zaillian’s Ripley and the Aesthetics of Duration by Sérgio Dias Branco

Feb 6, 2026
Into the Sunset?: Night Manager, Series Two by Melissa Beattie

Feb 6, 2026

CFPs, conference, Conferences/events, Events

CfP: edited collection “The Aesthetics and Politics of Fight Choreography in Film and TV Series”. Deadline: Feb 28, 2026

Dec 19, 2025

Special Issue edited by Amandine D’Azevedo, Anissa Medjebeur and David Roche (Université de...

Recent Posts

The Immortal (Un?)Beloved by Melissa Beattie February 20, 2026
‘Plus ça Change, Plus c’est la Même Chose’?: CBC’s Saint-Pierre by Melissa Beattie February 13, 2026
On Task, the Women are Robbed by Delanie Widdifield February 13, 2026
Slowness as Antidote in Vince Gilligan’s Pluribus by Sarah Lahm February 13, 2026
Slow Television, Vivid Crime: Steven Zaillian’s Ripley and the Aesthetics of Duration by Sérgio Dias Branco February 6, 2026
Into the Sunset?: Night Manager, Series Two by Melissa Beattie February 6, 2026
TV in Mind by James Walters February 6, 2026

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