Recent Posts

• ’THOUGHTFUL CHAOS’: EVALUATION AND THE BEAR’S ‘PERFECT’ TV STORYTELLING by Sarah Lahm September 29, 2023
• GOLLY, IT’S CUCKOO! REFLECTIONS ON PEE-WEE’S PLAYHOUSE by Andrew J. Salvati September 29, 2023
• TV DICTIONARY – “WHAT WAS THAT MIDDLE BIT ALL ABOUT?” ON THE GOOD LIFE, SPLIT SCREEN, AND THE INCORPORATION OF DVD EXTRAS by David Martin-Jones September 29, 2023
• CfP: Critical Studies in Television special issue “EastEnders at 40: Production, Text & Audiences”. Deadline: Oct 13, 2023. September 29, 2023
• CfP: Special Issue of Convergence “Streaming Diversity? On and off-screen diversity in an era of automated media culture”. Deadline: September 22, 2023. August 21, 2023
• ‘I THINK ABOUT WAR … AND ROBLOX’: TRYING TO UNDERSTAND CHILDREN AND THEIR MEDIA USE ONE REPORT AT A TIME … by Eva Novrup Redvall June 30, 2023
• FOR[E] SHADOWING: INTERTEXTUALITY BETWEEN SUCCESSION SERIES THREE AND WHAT WE DO IN THE SHADOWS SERIES FOUR by Melissa Beattie June 30, 2023