Recent Posts

• CfP: ICA preconference “Exclusions in the History and Historiography of Communication Studies”. May 27, 2021 @ online. Deadline: Dec 20, 2020. December 4, 2020
• LIGHTING MUSIC TELEVISION: AN INTERVIEW WITH STUART PRING by Nicolas Pillai December 4, 2020
• RECONFIGURING TELEVISUALITY: THE CONTINUING RE-DEFINITION OF THE FRONTIERS OF UNPREDICTABILITY by Max Sexton December 4, 2020
• CfP: The 17th Annual Tampere University Game Research Lab Spring Seminar, theme “Monstrosity”. April 20-22, 2021 @ online. Deadline: Jan 15, 2021. December 4, 2020
• THE EUROPEAN AUDIOVISUAL AND CREATIVE SECTORS AT A CROSSROADS by Manuel José Damásio November 27, 2020
• CURRENT AFFAIRS OR COMFORT TV?: VOD OFFERINGS IN THE AGE OF COVID-19 by JP Kelly November 27, 2020
• “HOW DID 1970S BRITAIN ENABLE ITS DEADLIEST KILLER?” FEMINIST REVISIONIST RE-MEDIATION OF THE ‘RIPPER’ YEARS IN THE YORKSHIRE RIPPER FILES: A VERY BRITISH CRIME STORY (2019) by Hannah Hamad November 27, 2020