Category: Performance

MAKING JAZZ 1080: TELEVISION PRODUCTION AS PROCESS by Nicolas Pillai

Jul 13, 2018 | Blogs, Performance, production, Public Service Broadcasting, Sound/music | 0

This blog post was originally published by the AHRC. After The Fast Show, how does one...

ACROPOLIS NOW: COMEDY, CULTURAL POLITICS, AND GREEK-AUSTRALIAN IDENTITY by Nektaria McWilliams

Jun 22, 2018 | Blogs, Performance, Transnational TV | 1

This blog post has first been published on Filmicon. Growing up as a child of...

REARRANGING THE CHAIRS ON THE DECK OF THE TITANIC by Gary R. Edgerton

Jun 8, 2018 | Blogs, Performance, Politics, production, Teaching | 0

I’m the king of the world! — James Cameron on accepting the 1998 Best Director Oscar for Titanic...

THE MARVELOUS MRS. MAISEL: WHITHER THE WOMAN IN THE SPOTLIGHT? by Martha P. Nochimson

May 25, 2018 | Amazon, Blogs, Performance, Politics | 0

Laura Mulvey’s “Visual Pleasure and Narrative Cinema” is the gift that enigmatically keeps...

NEW PUBLICATION: WOMEN DO GENRE IN FILM AND TELEVISION by Katarzyna Paszkiewicz

May 18, 2018 | Blogs, Gender, Genres, Performance, Politics, production, Transnational TV | 0

This post has originally been published on the Women’s Film and Television History Network...

CFP: Independent Women: From Film to Television

Jan 2, 2018 | CFP, CFPs Journals, Gender, HBO, Netflix, Performance, Streaming, Transnational TV | 0

Issue Guest Editors: Claire Perkins (Monash University) and Michele Schreiber (Emory University) Working in television has historically been considered ‘bread and butter’ labour for female filmmakers around the world. For...

CfP: Transnational Television Drama 2018. June 6-8, 2018 @ Aarhus University (Denmark). Deadline: Jan 15, 2018.

Nov 3, 2017 | CFP, CFPs conferences, conference, Drama, ECREA, Genres, Legislation, Performance, Politics, production, Public Service Broadcasting, Publishing, Quality TV, Streaming, Teaching, Technology, Transnational TV | 0

About In 1992 television researcher John Ellis stated that television was an “essentially national...

WHAT DOES TELEVISION WANT? ON AFFECT AND PARTICIPATION by David Levente Palatinus

Oct 27, 2017 | Blogs, ECREA, Genres, Performance | 0

In her most recent blog, Elke Weissmann pointed out a peculiar characteristic of her own...

CONFERENCE REPORT: GAME OF THRONES, AN INTERNATIONAL CONFERENCE, UNIVERSITY OF HERTFORDSHIRE, 6-7 SEPTEMBER, 2017 by Gill Jamieson

Oct 20, 2017 | Blogs, conference, Conferences/events, Cult TV/Sci Fi/Horror, HBO, Performance, Politics, production, Quality TV, Symposia, Transnational TV | 0

‘Winter is coming’, ‘Valar Morghulis’ and ‘You know nothing Jon Snow’ are widely-known expressions...

ADVENTURES IN ACADEMIC PUBLISHING: IF YOU ONLY READ ONE BOOK THIS YEAR… by Richard Hewett

Oct 6, 2017 | Blogs, Performance, Publishing, Teaching, UK TV | 0

… don’t worry; you’re still doing better than most modern undergraduates. Welcome back everyone –...

Call for contributions “Transgender Representation on Television” (Edited Collection, working title). Deadline: Sept 29, 2017.

Aug 19, 2017 | CFP, CFPs books/edited collections, Gender, Performance | 0

Editors: Dr. Liora Elias (University of Minnesota, USA); Dr. Raechel Tiffe (Independent Scholar)...

FINDING THE GOLDEN RATIO by Şebnem Baran

Aug 4, 2017 | Blogs, Performance, production, Quality TV, Streaming, Transnational TV | 1

This past winter, two new Turkish online streaming services released their first Turkish original...

Category: Performance

MAKING JAZZ 1080: TELEVISION PRODUCTION AS PROCESS...

ACROPOLIS NOW: COMEDY, CULTURAL POLITICS, AND GREE...

REARRANGING THE CHAIRS ON THE DECK OF THE TITANIC ...

THE MARVELOUS MRS. MAISEL: WHITHER THE WOMAN IN TH...

NEW PUBLICATION: WOMEN DO GENRE IN FILM AND TELEVI...

WHAT DOES TELEVISION WANT? ON AFFECT AND PARTICIPA...