THE DANISH SERIAL ODA OMVENDT (‘ODA UPSIDE DOWN’) IS MAKING REBELLIOUS LIVE ACTION CHILDREN’S FICTION FOR 3-6-YEAR-OLDS TRAVEL BEYOND THE NORDICS
By Eva Novrup Redvall The research project ‘Reaching Young Audiences: Serial Fiction and...
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Author: Toby
MIPCOM 2020 – KEY TAKEAWAYS by Heidi Keinonen and Eerika Vermilä
The annual MIPCOM market was organized in mid-October as a virtual event. We composed a summary on...
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NON-HUMAN PERFORMANCE, MISE-EN-SCENE AND THE TRANSNATIONAL: SKIPPY THE BUSH KANGAROO by Jonathan Bignell
How might we describe and evaluate non-human “performances” in television fiction? I blogged a...
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EMOTIONAL CONSOLATION, POLITICAL ESCAPISM AND POST-OBJECT FANDOM: RE-WATCHING AND RE-STAGING THE WEST WING IN 2020 by Rebecca Williams
Writing in April 2020, Joke Hermes and Annette Hill note that audiences turned to television...
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RERUNS: NORMAL PEOPLE AND OUTRAGE DISCOURSE ACROSS TIME by Morgan Wait
Towards the end of April — into what we can now call Lockdown 1.0 as Ireland has recently entered...
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CRIME TV, PART ONE by Kenneth Longden
I have been indulging in crime lately; crime on TV to be precise. I have noticed a few academic...
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