CfP: Critical Studies in Television special issue “EastEnders at 40: Production, Text & Audiences”. EXTENDED Deadline: Oct 20, 2023.
Queries about this call for papers should be directed to Rebecca Williams...
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Author: CSTonline
CfP: Special Issue of Convergence “Streaming Diversity? On and off-screen diversity in an era of automated media culture”. Deadline: September 22, 2023.
Abstracts due 22 Sept 2023 Special Issue of Convergence: The International Journal of Research...
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‘I THINK ABOUT WAR … AND ROBLOX’: TRYING TO UNDERSTAND CHILDREN AND THEIR MEDIA USE ONE REPORT AT A TIME … by Eva Novrup Redvall
The research project ‘Reaching Young Audiences: Serial Fiction and Cross-Media Storyworlds for...
Read More![FOR[E] SHADOWING: INTERTEXTUALITY BETWEEN SUCCESSION SERIES THREE AND WHAT WE DO IN THE SHADOWS SERIES FOUR by Melissa Beattie](https://cstonline.net/wp-content/uploads/2023/06/Untitled-627x376.jpg)
FOR[E] SHADOWING: INTERTEXTUALITY BETWEEN SUCCESSION SERIES THREE AND WHAT WE DO IN THE SHADOWS SERIES FOUR by Melissa Beattie
Note: This blog does NOT contain spoilers for Succession series 4 (because I haven’t had time to...
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TV STREAMING PLATFORMS FREQUENTLY SPEAK OF USER CHOICE. BUT TO WHAT EXTENT ARE THE PLATFORMS INFLUENCING THAT CHOICE? by Neil Thurman
With the vast array of options of what to watch online, have you ever wondered why you picked that...
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CfP: The OA conference “Invisible Selves in Movement”. March 23-34, 2024 @ online. Deadline: Oct 1, 2023.
Organized in partnership with: University of Brighton / The Glasgow School of Art / The OA Zine /...
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CfP: conference “The Many Faces and Spaces of Precarity in the Moving Image”. December 14, 2023 @ online. Deadline: Sept 15, 2023.
“Another world is not only possible; she is on her way. On a quiet day, I can hear her breathing.”...
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CfP: conference “Frontiers and Wastelands: Redefining the Nation in US Popular Culture”. Nov 27–28, 2023 @ Alcalá de Henares (Madrid, ES) and online. EXTENDED Deadline: July 21, 2023.
Conference website: https://popmec.com/frontiers-conference/ The conference will focus on how the...
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CfP: international conference “Media Industries”. April 16-19, 2024 @ King’s College, London (UK). Deadline: Sept 15, 2023.
Hosted by the Department of Culture, Media and Creative Industries, King’s College London Paper,...
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CfP: conference “Media at Times of Crisis and Conflict”. Sept 08, 2023 @ online. Deadline: July 07, 2023.
Organiser: British Sociological Association, Media Study Group CfP PDF:...
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CfP: VIEW issue “Archive Television: Storing, structuring and accessing content in the time of algorithmic curation”. Deadline: July 31, 2023.
Guest editors: Giulia Taurino (Northeastern University), Georgia Aitaki (Karlstad University)...
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‘SHE DID IT: SHE KILLED THEM ALL!’ MURDER, SHE WROTE by Melissa Beattie
A murder has, yet again, been committed in a small town in Maine. The local sheriff is baffled. ...
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CfP: graduate conference “Future Nostalgia and Present Utopia: Reimaging Futurism in Film and New Media”. September 23-24, 2023 @ online. Deadline: July 20, 2023.
Future Nostalgia and Present Utopia: Reimaging Futurism in Film and New Media Program in Film and...
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AIN’T THAT A SHAME?: GUILT (BBC SCOTLAND, 2019-2023) by Melissa Beattie
Two very different brothers from Edinburgh (okay, Leith) are driving one night and accidentally...
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RACIALIZATION WITHOUT INTEGRATION: THE FIGHT FOR NBC DIVERSITY IN THE 1940S AND 1950S by Leah P. Hunter
Reviewing methods used by earlier generations to challenge discriminatory acts in television...
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CfP: SERIES issue “Screening European Populisms in the 21st Century: TV Series, Social Networks, and Political Platforms”. Deadline: Sept 10, 2023.
Editor(s): Valerio Coladonato (Sapienza University of Rome) Dom Holdaway (University of Urbino...
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CfP: edited collection “Different Forms of Feminism in English Language TV Series: Legacy and Resistance in Different Types of Methodology of Discourse Analysis of Female Identity”. Deadline: July 10, 2023.
Over the past few decades we have seen a sharp rise in the number of central female characters in...
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‘AS LONG AS I’M ALIVE THAT DOESN’T HAPPEN.’: THE X-FILES, THE BILLS AND THE ‘CURSE OF THE CANCER MAN’ by Melissa Beattie
In a recent CST blog, Gary R. Edgerton noted the dearth of work on televised sport, invoking the...
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WHAT CAN EVENT TV TELL US ABOUT THE STATE OF THE NATION? by Elke Weissmann
Sometimes, coincidence allows us to observe separate but related phenomena that, seen by...
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WGA V. AMPTP: A RECKONING COMES TO HOLLYWOOD
by Gary R. Edgerton This strike is a strike for everyone in the industry. —Fran Drescher,...
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CORPORATE RAIDERS: OUR FLAG MEANS DEATH AND CORPORATE CRITIQUE by Melissa Beattie
What happens when one of history’s most feared villains meets a comparative innocent looking to...
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CfP: Science Fiction Film & Television special issue “Serial Repetitions: Retheorizing Fantasy in TV and Other Media”. Deadline: July 01, 2023.
Guest editors: Michelle Anya Anjirbag (maa93@cantab.ac.uk) and Timothy S. Miller (millert@fau.edu)...
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CfP: edited collection “Screen Storytellers: The Works of Steven Moffat”. Deadline: June 30, 2023
Call for Abstracts/Proposals for Essays for an Edited Collection SCREEN STORYTELLERS: The Works of...
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CfP: conference “Minority Voices and Languages in English-Speaking Cinema and Television”. Oct 12-13, 2023 @ Université de Lille (FR). Deadline: June 19, 2023.
Ever since the publication of American sociologist Louis Wirth’s 1945 article “The Problem with...
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