CfP: ECREA pre-conference 2022 “Young people, entertainment and cross-media storytelling: Perspectives and methods for investigating youth media”. Deadline: May 31, 2022.
Event Website...
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Author: CSTonline
CfP: roundtable sessions at “The BBC at 100” symposium, 14-15 Sept 2022 @ the National Science and Media Museum, Bradford (UK). EXTENDED deadline: June 01, 2022.
Application for roundtable sessions at The BBC at 100 symposium, 14-15 Sept 2022 The BBC at 100...
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NEXT UP ON PBS’S AMERICAN MASTERS: ‘BRIAN WILSON: LONG PROMISED ROAD’ by Gary R. Edgerton
Brian’s music taps into the same source that gospel music taps into. That deep, fundamental...
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THE TV DICTIONARY AND MY FIRST CUTS AND EDITS INTO VIDEOGRAPHIC CRITICISM by Dan O’Brien
As a film, television and digital media scholar, videographic criticism is a format that I was...
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CfP: MeCCSA Networking Knowledge special issue: “Television, Video-on-Demand, and Binge Watching”. Deadline: June 22, 2022
Networking Knowledge, the journal of the Media, Communication and Cultural Studies (MeCCSA)...
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THE TV DICTIONARY – AN INTRODUCTION by Ariel Avissar
The “TV Dictionary” is a collaborative collection of videos premised on a simple prompt: each...
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CfP: edited collection “Work/Life Balance: Interdisciplinary explorations of the collective and the self through analysis of AppleTV’s Severance”. Deadline: June 30, 2022.
Editors: Jennifer Dawes, Midwestern State University, jennifer.dawes@msutexas.edu Nora M....
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CfP: Panic at the Discourse, issue “Science Fiction from the Margins”. Deadline: June 01, 2022.
We live in capitalism. Its power seems inescapable. So did the divine right of kings. Any human...
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CfP: TMG – Journal for Media History special issue “Media histories of the 1980s and 1990s”. Deadline: May 16, 2022
CfP URL: https://www.tmgonline.nl/announcement/#cfpmhen Contemporary research predominantly...
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EASTER AS THE NEW SEASON FOR SERIALIZED FAMILY DRAMAS: TRYING TO CREATE NEW TRADITIONS FOR ‘CHRISTMAS CALENDAR STYLE’ FAMILY VIEWING AT THE DANISH BROADCASTING CORPORATION by Eva Novrup Redvall
The research project ‘Reaching Young Audiences: Serial Fiction and Cross-Media Storyworlds for...
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‘NORMALITY’, NETFLIX AND TV by Mareike Jenner
As we all know by now, Netflix is in trouble. Initial reactions to last week’s news that Netflix...
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CfP: BSA conference “Television Aesthetics: Now What?”, July 7-8, 2022 @ University of Kent (UK). EXTENDED Deadline: May 03, 2022.
A BRITISH SOCIETY OF AESTHETICS CONFERENCE KEYNOTE SPEAKERS Jason Mittell (Middlebury...
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WHEN IS A STORY MORE THAN REALITY? PROBABLY NOT WHEN NETFLIX PAYS A CRIMINAL FOR IT by Will Stanford Abbiss
When Inventing Anna debuted on Netflix on 11 February, a familiar debate about the relationship...
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CHANNEL4: PRIVATISING PUBLIC SPACE by John Ellis
On Monday evening 4 April, the UK Culture Secretary Nadine Dorries tweeted that she intended to...
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WHAT HAS CHANNEL 4 EVER DONE FOR US? (RHETORICAL) by Kenneth Longden
With the British government’s latest diktat concerning the future of the public service...
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WHERE HAVE ALL THE PMS GONE? (BUT DON’T MENTION THE WOMEN) by Christa van Raalte and Richard Wallis
When it comes to the shortage of Production Managers there’s a coyness about stating the...
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CfP: SSAAAANZ conference “The Materials of Screen Media” Nov 30 – Dec 2, 2022 @ online. Deadline: May 30, 2022.
“Materialism,” “materials,” “materiality,” “matter”: for scholars in screen and media studies, is...
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CfP: conference “Channel 4 then and now”. Sept 23-24, 2022 @ Royal Holloway, University of London (UK). Deadline: April 15, 2022.
Channel 4’s first programmes were broadcast on 2 November 1982, 40 years ago. Royal Holloway...
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BREATHE EASY, PETROLHEADS: NETFLIX/FORMULA ONE/TOBACCO by Toby Miller
The Netflix series Formula 1: Drive to Survive (2018-) just entered its fourth season. It has...
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GETTING SOME PRACTICE IN by Richard Hewett
Like many of you (I’m guessing), I have spent much of my HE career teaching the theory elements on...
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CfP: conference “Fear 2000: Horror Undying” July 1-3, 2022 @ Sheffield Hallam University (UK & online). EXTENDED Deadline: April 11, 2022.
We invite proposals for 20-minute papers and 80-minute panels to be presented at the sixth Fear...
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CfP: conference “Animals in the American Popular Imagination”. September 12-16, 2022 @ online. Deadline: April 24, 2022
In his book Animals on Television (2017), Brett Mills states that “representations of animals...
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CfP: CNRS Thematic School 2022 “Moral and Social Issues in Television Series”. July 3-9, 2022 @ CAES/CNRS Villa Clythia, Fréjus (FR). Deadline: March 31, 2022
Application period is extended for the 2022 CNRS Thematic School “Moral and Social Issues in...
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CfP: The 6th Vampire Academic Conference “Vampires Through the Ages”. June 15-17, 2022 @ Cardiff, Wales (UK). Deadline: March 20, 2022
Please note there is the option to present in person or virtually. The International Vampire Film...
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TAKING (SOME) TELEVISION SERIOUSLY by Christine Geraghty
Some of you may have seen the announcement of an issue of Open Philosophy (2022; 5:1) which is...
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