Category: Netflix
ADOLESCENCE (NETFLIX, 2025) HITS THE US by Kim Akass
Everyone is talking about Stephen Graham and Jack Thorne’s latest venture: the 4-part series,...
Read MoreWHY I LOVE SUITS (USA, 2011-19) AND I’M NOT ASHAMED TO ADMIT IT by Kim Akass
August 17th 2023 and the Guardian ran an article entitled ‘How did Suits become America’s...
Read MoreRELIVING YOUR MASTER DAY – MONTAIGNE, NIETZSCHE AND RUSSIAN DOLL by Chris Nunn
SPOILERS AHEAD for Russian Doll season one Lockdown continues to be a bizarre experience for us...
Read More“FAMILY WATCH TOGETHER TV”: NETFLIX AND THE DARK INTERGENERATIONAL FANTASY by Djoymi Baker, Jessica Balanzategui, and Diana Sandars
In 2016, Netflix committed to “doubling down on kids and families” [1] through increased child and...
Read MoreTHE PERSISTENCE OF TELEVISION: STAND-ALONE EPISODES by Martin Zeller-Jacques
Apr 12, 2019 | Blogs, Drama, Netflix, Quality TV | 0
In 2006, when I started out in television studies, the discipline was reckoning with the impact of...
Read MoreTV HORROR ACCORDING TO NETFLIX: HAUNTING OF HILL HOUSE, STRANGER THINGS AND HEMLOCK GROVE by Stella Gaynor
With Haunting of Hill House plugging the hole left by Stranger Things this Halloween[1], I started...
Read MoreNETFLIX AND NURSING by Liz Giuffre
Too often the joys of binge watching are only attributed to two types of people; those who are...
Read MoreQUANTITATIVE STUDIES IN TELEVISION (PART 2): ALGORITHMS IN ACADEMIA by JP Kelly
Feb 2, 2018 | Amazon, Audience, Blogs, Hulu, Netflix, Netflix, Social media, Streaming, Technology, Transnational TV | 0
This is a follow up to my last post for CST. Given that this is a blog about television it seems...
Read MoreCFP: Independent Women: From Film to Television
Jan 2, 2018 | CFP, CFPs Journals, Gender, HBO, Netflix, Performance, Streaming, Transnational TV | 0
Issue Guest Editors: Claire Perkins (Monash University) and Michele Schreiber (Emory University) Working in television has historically been considered ‘bread and butter’ labour for female filmmakers around the world. For...
Read MoreWHAT USE IS A GENDERED AUDIENCE?: INSTITUTIONAL CLASSIFICATION THEN AND NOW by Sarah Arnold
Viewer classification has been central to audience research and measurement since the early years...
Read MoreOF BLACK MIRRORS AND ELECTRIC DREAMS: THE TWILIGHT ZONE OF THE TELEVISION ANTHOLOGY SERIES by Kenneth Longden
Nov 3, 2017 | Blogs, Cult TV/Sci Fi/Horror, Drama, Netflix | 0
This latest offering to CST has partly been inspired by my recent research and planning for a...
Read MoreSHOULD STREAMING SERVICES BE SUBJECT TO LOCAL QUOTAS? by Liz Giuffre
Local television outlets are essential places for the development and dissemination of local...
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Recent Posts
- DEFENDING THE WAC: Exploring Indian Cinema broadcast on British Analogue Television at the BBC Written Archives Centre by Dipali Das October 3, 2025
- JUST (SOME OF) THE FACTS, PLEASE: IN SUPPORT OF ACCURACY IN TELEVISION by JZ Ferguson September 26, 2025
- ‘Don’t Scratch My Soca’: Desmond’s and Music by Melissa Beattie September 26, 2025
- Sexual Violence in Rivals: Updating the Bonkbuster for a post-#MeToo Television Audience: PART ONE by Julie Anne Taddeo September 19, 2025
- JESSE WATTERS AND THE NEVER-ENDING CRISIS OF MASCULINITY by Andrew J. Salvati September 19, 2025
- Defending the WAC: Is the BBC a fit and proper keeper of its own paper archive? Ian Greaves on Defending the Written Archives Centre (Part 1) September 19, 2025
- CfP: Edited Collection “State of the Nation Film and TV in Britain: Representations of the Social, Political, and Cultural Landscape”. Deadline: Aug 29, 2025 July 15, 2025