WHY I LOVE SUITS (USA, 2011-19) AND I’M NOT ASHAMED TO ADMIT IT by Kim Akass
August 17th 2023 and the Guardian ran an article entitled ‘How did Suits become America’s...
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Author: CSTonline
AHRC PHD STUDENTSHIP
The Centre for the History of Television Culture and Production, Royal Holloway, University of London is pleased to announce a TECHNE Collaborative Doctoral Award funded by the Arts and Humanities Research Council. This...
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THE RECKONING: AN APOLOGY FROM THE BBC by Rowan Aust
The Reckoning is the BBC’s examination of the life and criminality of broadcaster Jimmy Savile...
Read MoreTrigger Warnings Survey
Dear colleagues, We have just launched a new survey investigating the use of ‘trigger warnings’ in the classroom: https://hass.eu.qualtrics.com/jfe/form/SV_6xvCqDBwF2uXvnw Trigger and content warnings are part of...
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CfP: Chapter Proposals for Television Comedy & Cultural Crisis. Deadline: March 31, 2022.
We are seeking proposals for an edited collection tentatively titled Television Comedy &...
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CFP: TV Londons. Exploring Representations of London on Television
A CREAM, University of Westminster conference, in collaboration with the University of Brighton...
Read MoreSurvey Request
How does your family use Netflix? RMIT University in collaboration with The University of Melbourne and Swinburne University of Technology are conducting a study into how families use the streaming service Netflix. We’d like to...
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THE FIVE DEGREES OF HUMPHREY BURTON by Ian Greaves
Sir Humphrey Burton, 90 in March and now publishing his long-awaited autobiography In My Own Time,...
Read MoreCFP: British Audio-Visual Research Network – Virtual Colloquia
We wish to foster an international, virtual community of scholars from all disciplines engaged with the study of music and sound in audio-visual media. Our intention is to organise a regular forum for researchers and...
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VALE AVENGERS STARS by Toby Miller
This year has seen the passing of two of the principal actors in The Avengers (ITV, 1961-69),...
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