TV DICTIONARY: CAN EASTERN EUROPEAN TELEVISION SPEAK? By Jiří Anger and Veronika Hanáková
What can the TV Dictionary project teach us not only about television and videographic criticism...
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Author: CSTonline
CHANNEL 4 AT 40 by John Ellis
The UK’s Channel 4 turns 40 on 4 November 2022. How can we assess the achievements (and failures)...
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CfP: Edited collection “The Routledge Companion to Superhero Studies”. Deadline: Dec 01, 2022.
Deadline for submissions: 1 December 2022 Lorna Piatti-Farnell and Carl Wilson In answer to the...
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CfP: Issue no. 17 of Genre en séries, “Ages of life, ages on screen: Passages, thresholds, transitions and gendered evolutions”. Deadline: Dec 15, 2022.
Call for articles for the 17th issue of the journal Genre en séries : cinéma, télévision, médias...
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CfP: XXIV Annual Graduate Student Conference “Requiem for Netflix? Reflections on Two Decades of Streaming”. Feb 09-10, 2023 @ San Francisco State University (US) & online. EXTENDED Deadline: Nov 15, 2022
Call for papers: XXIV Annual Graduate Student Conference, Feb. 9 & 10, 2023 School of Cinema,...
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WHY (A REFORMED) PUBLIC SERVICE BROADCASTING MATTERS MORE THAN EVER by Elke Weissmann
It’s Monday morning, 10.30am, British Summer Time, just, and the Tories are gifting (read...
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FROM TV TO TIKTOK: THE ECREA PRE-CONFERENCE ON ‘YOUNG PEOPLE, ENTERTAINMENT AND CROSS-MEDIA STORYTELLING’ POINTED TO WIDESPREAD INTEREST IN INVESTIGATING YOUTH MEDIA ACROSS BORDERS AND PLATFORMS by Eva Novrup Redvall, Vilde Schanke Sundet and Jeanette Steemers
This blog is a collaboration between the research projects Global natives? Serving young audiences...
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CfP: The Cultural Economy of Comedy Symposium. Feb 17, 2022 @ Leicester (UK) & online. Deadline: Dec 09, 2022.
This one-day symposium is the culmination of a BA/ Leverhulme Small Research Grant funded project...
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CfP: conference “Rewired and revamped? Media and trans/national feminisms in Europe and beyond”. May 11-12, 2023 @ Tampere University (FIN). Deadline: Dec 01, 2022.
This symposium draws attention to the current debates on media’s role in shaping and popularizing...
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CfP: LSE Media & Communications 20th anniversary conference ‘Media Futures’. June 15-16, 2023 @ London School of Economics and Political Science (UK). Deadline: Oct 31, 2022
We are living in turbulent and increasingly dangerous times which are in large part defined and...
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SQUID GAME AND THE REPRODUCTION OF KOREAN WOMANHOODS by Sarah Molisso
Squid Game (2021-) is yet another successful export from South Korea, demonstrating the...
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THE TV DICTIONARY: MUSINGS ON BIRMINGHAM AND GRIT by Jemma Saunders
It’s been said many times, not least by my PhD supervisor, that creativity loves constraint. A...
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THE GREAT AND “ANTI” HISTORICAL TV by Rebecca Pearce
As it has come to Channel 4 recently, I’d like to talk about Hulu’s The Great (2020-). It’s a bit...
Read MoreHOW A RETENTION CRISIS CAME TO BE FRAMED AS A RECRUITMENT PROBLEM by Richard Wallis and Christa van Raalte
‘A shortage of properly trained television workers is creating a serious skills gap and threatening to undermine the future business performance of the entire broadcasting sector’. A quote from a recent ScreenSkills Assessment...
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THE EUROPEAN VIDEO-ON-DEMAND MARKET – A DIVERSE PICTURE by Cathrin Bengesser
This blog post takes a comparative look at the development of the European streaming market to...
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CfP: edited collection “Collaborative Creativity in Film and Television”. Deadline: Oct 07, 2022
Collaborative Creativity in Film and Television Edited by Lucy Brown, Rosamund Davies and Funke...
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CfP: International Symposium “What is a good series?”/ “Qu’est-ce qu’une bonne série ?”. Nov 21-22, 2022 @ Université Panthéon-Sorbonne, Paris (FR). Deadline: Oct 10, 2022.
DEMOSERIES invites proposals for the International Symposium “What is a good series?” that will...
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CfP: IJFMA special issue on “Precarity and the Moving Image”. Deadline: Oct 02, 2022.
Submissions for a special issue of IJFMA Vol. 8 No. 2 (2023) are now open “Precarity and the...
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CfP: II International Conference on Discourses of Fictional (Digital) TV Series. October 19-21, 2022 @ Universitat de València (ESP). EXTENDED Deadline: July 30, 2022
Conference Convenors: Carmen Gregori-Signes, Claudia Alonso-Recarte, Miguel Fuster-Márquez, Sergio...
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WHEN BORGEN GOES TO GREENLAND: CREATIVE DEVELOPMENT, LOCATION WORK, AND COLLABORATION IN BORGEN: POWER & GLORY by Anders Grønlund
Borgen is back – worldwide! While the high-end TV series Borgen: Power & Glory (2022) has been...
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ANNUAL REVIEW: DEPARTURES AND RETURNS by Richard Hewett
When, in years to come, my mind flits back to the 2021/22 academic year, it will not so much be...
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CfP: Edited Collection “Researching Horror Fans and Audiences in the Twenty-First Century”. Deadline: July 31, 2022
Edited by: James Rendell and Kate Egan Submission deadline: 31st July 2022. If ‘[w]e… want to...
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CfP: Iluminace special issue “Television and COVID-19: How to Deal with Global Pandemics While Broadcasting”. Extended deadline: July 15, 2022.
Iluminace 1/2023: Television and COVID-19: How to Deal with Global Pandemics While Broadcasting...
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CROESO I GYMRU: I’M A CELEBRITY… GET ME INTO WALES! by Bethan Jones
Last month ITV announced that I’m A Celebrity… Get Me Out of Here (2002-) would be returning to...
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WORKING WITH ‘KIDNOGRAPHERS’ TO NOT BE CRINGE: NEW WAYS OF USING ETHNOGRAPHIC AUDIENCE RESEARCH METHODS WHEN TRYING TO REACH YOUNG AUDIENCES by Jakob Freudendal
The research project ‘Reaching Young Audiences: Serial Fiction and Cross-Media Storyworlds for...
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