CfP: edited collection “Football Politics and Cultural Production in Africa: Issues and Discourses”. Deadline: April 30, 2024.
Call for chapter proposals, working title: “Football Politics and Cultural Production in Africa:...
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Author: CSTonline
CfP: REDEN special thematic dossier “LGBTIQ+ Representations and Media in US Popular Culture: Exploring New Directions, Challenges, and Queer Heritage”. Deadline: April 15, 2024
REDEN (Revista Española de Estudios Norteamericanos, ISSN: 2695-4168) is an open access...
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CfP: special issue “Beyond the messy millennial woman: televising perfection, imperfection and resilience”. Deadline: March 28, 2024.
Abstracts are sought for a proposed special journal issue, for which strong interest has been...
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LOOKING BACK ON THE “PLATFORMS AND USES” PROJECT: REGULATION, INDUSTRIAL MUTATIONS AND CULTURAL PRACTICES by Marta Boni
On November 2, 3, 4, 2023, the Université de Montréal held an international conference on digital...
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PRECISION AND GOSSIP by Ian Greaves
Rare is the Christmas break where I don’t have a pile of research to catch up on, so it was a...
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‘A GOOD PLACE WITH GOOD PEOPLE’: HAMISH MACBETH AND THE HIGHLANDS by Melissa Beattie
When I went with a friend to Plockton in the Scottish Highlands, admittedly over a decade ago,...
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CfP: “The State of the Nation in film and television”. July 3, 2024 @ London Metropolitan University (UK and online). Deadline: Feb 26, 2024.
How might we illustrate, explore, and begin to define the state of the nation film and television...
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LET’S NOT KID OURSELVES ABOUT THE POWER OF TV by Elke Weissmann
For our readers outside the UK, I may have to let you know that something quite extraordinary has...
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LAWYER JOKES? HARVEY BIRDMAN: ATTORNEY AT LAW AND SUBVERSIVE NOSTALGIA by Melissa Beattie
‘Nostalgia is always suspect’ (Atia and Davies 2010: 181). The trope of a hero who looks for a...
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SEXY VAMPIRES: A SPECTACLE/PERFORMANCE PARADIGM by Max Sexton
In 1983, the Survey of Modern Fantasy Literature was already noting Gothic’s altered eroticism...
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DESPERATELY SEEKING AN IRELAND-BASED FEMALE TV DETECTIVE CREATED BY AN (IRISH) WOMAN! by Finola Doyle-O’Neill
This blog first appeared on the Women’s Film and Television History Network – UK/Ireland website...
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CfP: conference “The Future of German Screen Studies: Cultures, Media, Histories”. June 19-21, 2024 @ University of St Andrews (SCOT). Deadline: Feb 16, 2024.
Conference to be held at the University of St Andrews 19th-21st June, 2024 Keynote Speakers: Seán...
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CFP: Nightmare ‘24 conference “Dreams or nightmares? Madness or Sanity? I don’t know which is which” – The Representation of Mental Health in the Horror Genre. April 25, 2024 @ The Northern School of Art (UK). Deadline: Feb 16, 2024.
Nightmare ‘24 @ The Northern School of Art: 25th April 2024 Submission Deadline: Friday 16th...
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CfP: edited volume “Warscapes: Mediating Militarized Environments”. Deadline: Feb 16, 2024.
Edited by Cortland Rankin (Bowling Green State University) and Brady Fletcher (University of...
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CfP: “Give me your best shot, pal. I can take it.”: Fight Scene Choreography in Film and TV Series. Oct 4, 2024 @ Montpellier (FR). Deadline: April 1, 2024.
English call here, please scroll down pour la version française Montpellier, October 4, 2024...
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Call for Chapters: The FX Reader (edited collection). Extended deadline: May 15, 2024
Extended and revised call for chapters on select FX Channel original TV series are sought for an...
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CfP: Critical Studies in Television Slow Conference. June 24-July 5, 2024 @ online. EXTENDED deadline: Jan 31, 2024.
Television and Sustainability In 2015, the UN proposed 17 Sustainable Development Goals that are...
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THE FICTIONAL REAL OR THE REAL FICTION OF THE BARRY FINALE by Douglas L. Howard
Among the notable TV finales from this year, the curtain dropped on Barry, the dark dramedy that,...
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NETFLIX GLOBAL STRATEGIES – IN POLAND AND THE CRIME SECTION by Klara Liebig
As part of my current master degree programme in media studies at the Film University Babelsberg,...
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THE DEVIL, YOU SAY?: EASTWICK AND ACCENT by Melissa Beattie
As Dhoest and Mertens (2013) note, when glocalising a text, dialect and accent are key elements of...
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TELEVISUALITY, LABOUR AND IDEOLOGIES IN EASTERN EUROPEAN TV SHOWS, RUSSIAN / ITALIAN NEW YEARS EVE DISCO HITS SHOWS, AND ITALIAN INFLUENCER FASHION ICONS by Hannah Köhne
A conference I could attend that I didn’t have to work at and was indeed about my topic of...
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WHY WE SHOULD PROUDLY WATCH CHEAP REALITY TV by Malin Binding
As a participant of the conference Redefining Televisuality: Programmes, Practices, Methods at the...
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CfP: edited collection “#TrueCrime: Digital Culture, Ethics and True Crime Audiences”. Deadline: Feb 01, 2024
Chapter proposals for edited collection #TrueCrime: Digital Culture, Ethics and True Crime...
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CFP: conference “Return of the Gothic 1980s: Sequels, Trilogies, Multiverses & Beyond”. June 20-21, 2024 @ Manchester Metropolitan University (UK). Deadline: Feb 23, 2024
This two-day conference aims to re-evaluate the gothic proliferation, duplication, and industrial...
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CfP: conference “Terminator @40: Origins and Legacies”. June 18-19, 2024 @ Bangor University (UK). Deadline: March 01, 2024.
Terminator @40: Origins and Legacies An academic conference hosted by The Centre for Film,...
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