In order to ensure timely notification and subsequent travel planning, please note the deadline: Abstracts for original paper presentations and panels may be submitted until November 22, 2016. The 10th Screenwriting Research...
Read MoreImag(in)ing the Apocalypse University of Western Brittany, 8-10 March 2017 «When Armageddon takes place, parking is going to be a major problem», J.G. Ballard, Millenium People (2003) KEYNOTE SPEAKERS Denis Mellier, Université...
Read MoreInstitute of Contemporary Arts, Cinema 2 The Mall, London SW1Y 5AH Friday 18 November 2016, 2:30-4:00pm Free tickets can be booked at...
Read MoreJourneys Across Media (JAM) 2017 Department of Film, Theatre and Television University of Reading Worldhood and World-Making Call for papers The JAM 2017 postgraduate conference will take place on Tuesday 11th April at the...
Read MoreOver the last 15 years, Slayage: The Journal of Whedon Studies and other publications have featured a range of writing and scholarship about queer issues, identity and representations related to the Whedonverses but there has...
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A ‘Billy Fluff’ is a moment in Doctor Who from 1963 to 1966 when William Hartnell, the lead actor...
Read MoreBritish history is full of strange and disturbing noises. They rebound and echo, providing a constant reminder to future generations of the violent noises of the past- signalling colonial atrocities, and the stifled...
Read MoreDuring a recent trip to New York City my TV nerd colleague and I attended two show tapings. If you never have done this, I can highly recommend it – the TV lover’s equivalent of looking inside someone’s bathroom cabinet to see...
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Unbreakable Kimmy Schmidt (2015-) is a Netflix comedy produced by Tina Fey and Robert Carlock, and...
Read MoreTelevision often has subtitles in my household and not just when we are watching Euro-dramas on BBC4. I hadn’t given much thought to this until I read an excellent article on the topic by Maggie Brown in the Royal Television...
Read MoreI like old things. When I was a teenager my granddad entrusted me with my great grandfather’s fob watch, and it always gave me a thrill to think that I was holding something of (it seemed at the time) inestimable age. It was...
Read MoreI guess we have all had the experience of pointing a remote device at the wrong point of focus, and wondered why nothing was appearing on the screen. Or having sat on the TV remote accidentally, to create mayhem on the screen....
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I am currently suffering from a massive dilemma. The last episode of Undercover (BBC, 2016) is...
Read MoreIn this blog post I want to challenge the separation of ‘official’ and ‘unofficial’ paratexts as divergent trajectories within what Jonathan Hardy (2011) has named the ‘commercial intertextuality’ of contemporary television series.
Read MoreI’m in Colombia, doing some research on a plaque unveiled by Prince Charles in Cartagena two years ago that briefly commemorated a British fleet trying to starve the inhabitants into submission and make the United Kingdom an...
Read MorePart Two: Whose Show? [Part Two of “GENRE OUT OF THE BOX” delves further into the connection between genre and gender] In Part One, I explored the genre hybridity of Miss Fisher’s Murder Mysteries, and began my inquiry...
Read MoreThe hit television comedy Absolutely Fabulous is set to hit the big screen as a movie (July 1st 2016), and as such it is worth considering the hype, the paratexts, and the anticipation that surrounds this venture. First the...
Read MoreI seem to be thinking about the past lately—my last post, in fact, dealt with reboots, restarts, and remakes—and this month has me traveling back there again, this time through a “rabbit hole” at the back of a diner or, more...
Read MoreThe White Paper on the future of the BBC is broadly good news for the organisation, but that’s only because the real damage has already been done. George Osborne’s budget raid cost the organisation £630 million, and led...
Read MoreIn 2013, Carol Vernallis published a brilliant book called Unruly Media: YouTube, Music Video and the New Digital Cinema. In it, she eloquently describe the ‘media swirl’ which characterises the contemporary audiovisual...
Read MoreAs The Good Wife is drawing to a close after seven seasons in the U.K. [Note: As this blog appears in the UK the series has just finished in the US], I found myself wondering why it is that Alicia Florrick has become something...
Read MoreA year ago Elke Weissmann wrote about finding time for television, and discussed that when we actually find that limited time in our day to sit down and watch television, we do not actually watch television. Instead we watch a...
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There’s been quite a bit of trending lately on Facebook about saving the BBC. I’ve done my fair...
Read MoreThe death of Prince and the triumph of Leicester City in the English Premier League. One inevitable, the other not so. Each, untimely. No-one really knows as yet why either event occurred. One should become clear in the near...
Read MoreI have a book coming out. You didn’t know? Well, it’s called The Changing Spaces of Television Acting, and it examines how modern UK television performance has changed – and the various contextualising factors underpinning this...
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