THE DEVIL, YOU SAY?: EASTWICK AND ACCENT by Melissa Beattie
As Dhoest and Mertens (2013) note, when glocalising a text, dialect and accent are key elements of...
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THE TOP 100 TV SHOWS OF ALL TIME THAT I WANTED TO SEE BEFORE I DIE AND WHICH, Y’KNOW, THANKS MAINLY TO DVD I’VE BEEN ABLE TO WATCH – SO THAT’S OKAY THEN – AND WHICH YOU PROBABLY DON’T HAVE TIME TO WATCH ANYWAY by Andrew Pixley
Around about mid-October, I could hear – courtesy of the world wide web – a distant wailing and...
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IT’S A DOG’S LIFE: DOG TV by Melissa Beattie
The idea of television for dogs sounds like it should be part of a Monty Python (BBC, 1969-1974)...
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CfP: edited collection “Different Forms of Feminism in English Language TV Series: Legacy and Resistance in Different Types of Methodology of Discourse Analysis of Female Identity”. Deadline: July 10, 2023.
Over the past few decades we have seen a sharp rise in the number of central female characters in...
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SOMETHING ELSE’: REPRESENTING SEXUAL ORIENTATION IN THE NO. 1 LADIES’ DETECTIVE AGENCY TV SERIES by Melissa Beattie
Picture it: Gaborone, Botswana, 2008. An international co-production between the US (HBO), UK...
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THE BENEFITS OF A CLASSICAL EDUCATION: SUCCESSION, CLASSICS AND QUALITY by Melissa Beattie
Is there any term in TV Studies more scrutinised, debated, loved and hated than ‘quality TV?’ ...
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