CfP: conference “Folk Horror in the 21st century”, Sept 5-6, 2019 @ Falmouth University (UK). Deadline: April 1, 2019.
Folk Horror in the 21st Century, is a two-day conference to be hosted by Falmouth University (UK)...
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Author: CSTonline
CfP: 27th IAMHIST conference on “Power and the Media”. July 16-19, 2019 @ Northumbria University (UK). Deadline: Jan 14, 2019.
XXVII IAMHIST Conference POWER AND THE MEDIA (Northumbria University, Newcastle upon Tyne, 16-19...
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CfP: International Symposium “Media Mixing”. Mar 14, 2019 @ Lund University (SWE). Deadline: Dec 11, 2018.
Department of Communication and Media | March 14th 2019 | Organisers: Annette Hill and Magnus...
Read MoreCfP: journal NECSUS Autumn 2019_#Gesture. Deadline: Jan 15, 2019.
NECSUS Autumn 2019_#Gesture Guest editor: Miriam de Rosa (Coventry University) A visible action working as utterance, according to Giorgio Agamben gesture is ‘the exhibition of mediality’. It unveils a process and crystallises a...
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TV HORROR ACCORDING TO NETFLIX: HAUNTING OF HILL HOUSE, STRANGER THINGS AND HEMLOCK GROVE by Stella Gaynor
With Haunting of Hill House plugging the hole left by Stranger Things this Halloween[1], I started...
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IF STUFF WERE SCOTTISH OR WHERE HUMOURLESS FEMINISTS WITH CLINICAL DEPRESSION GET THEIR LAUGHS by Lorna Jowett
‘Alright, it’s me Joyce Byers fae Stranger Things. Everybody calls me big Jo-B.’ Imagine a...
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CfA: Filmicon special issue “Introduction to Greek Television Studies: (Re)Reading Greek Television Fiction since 1989”. Deadline: Jan 20, 2019.
In December 2016, in an international conference entitled “50 years of Greek Television” that took...
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TRAPPED BY THE HOUSE, THE MONOLOGUES, AND THE SCENES, AND A NEAT ENDING: IS HAUNTING OF HILL HOUSE TRAPPED IN ITS ONE SEASON? by Stella Gaynor
Netflix launched their newest drama Haunting of Hill House on 12th October, just in time for...
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CfP: conference “Herstory Re-Imagined: Women’s Lives in Biographical Fiction and Film” Dec 16-17, 2019 @ King’s College London (UK). Deadline: June 21, 2019.
16-17 December 2019, Centre for Life-Writing Research, King’s College London, UK Convenors: Julia...
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CfP: anthology “Very Special Episodes: Event Television and Social Change”. Deadline: Dec 10, 2018.
Edited by Jonathan Cohn and Phil Scepanski Abstracts/Proposals (300 words) due December 10th....
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CfP: edited collection “Familial Influences on Superheroes”. Deadline: April 30, 2019
The edited collection, Familial Influences on Superheroes, will examine the role that the family...
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GENDER, CLASS, AND FAMILY TRANSFORMATION IN BBC ONE’S ‘EAT WELL FOR LESS’ by Katrina-Louise Moseley
The BBC television programme Eat Well for Less, now entering its sixth round of production, first...
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CfP: Media Mutations 2019 “Media, Diplomacy and Soft Power: Exploring the Relations Between Emerging Markets and Western Countries”. May 20-21, 2019 @ Università di Bologna (IT). Deadline: Jan 20, 2019.
Media, Diplomacy and Soft Power: Exploring the Relations Between Emerging Markets and Western...
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CfP: conference EUPOP 2019 conference. July 16-18, 2019 @ University of Limerick (IE). Deadline: Feb 28, 2019
Individual paper and panel contributions are welcomed for the eighth annual...
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CfP: GSNAS Graduate Conference “American Ambiguities: Is now the era of our disconsent?” May 22–24, 2019 @ Freie Universität Berlin (GER) Deadline: Jan 31, 2019.
Whatever happened to consensus? In the wake of World War II, the United States came to occupy what...
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TELEVISION OF THE ANTHROPOCENE (PART II): POSTHUMAN SENSIBILITIES AND POLITICAL TV by David Levente Palatinus
In Television of the Anthropocene Part I (that I wrote exactly a year ago), I introduced the idea...
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HAROLD PINTER ON BBC TV: NEW RESOURCES, by Jonathan Bignell
Earlier this year I blogged about a research project I collaborate on that documents and studies...
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ON LOCATION WITH ULLA: TELEVISION TOURISM AND A WALK THROUGH AARHUS by Sue Turnbull and Janet McCabe
Location manager Ulla Malmos knows her way around Aarhus. From the post-industrial landscape down...
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SOCIALISM BY STEALTH? by Toby Miller
One of the myths shrouding the realities of US capitalism is that it is a truly private-enterprise...
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CfP: special issue, Nordicom “Dark Screens: The Geopolitics of Nordic Television Drama”. Deadline: Jan 15, 2019.
CALL FOR PAPERS: Nordicom Review Special Issue (open access) Title: ‘Dark Screens: The Geopolitics...
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Call for chapters for edited volume “Transmedia Storytelling in Asia and Pacific Region”. Deadline: Dec 14, 2018.
Calls for Chapter Proposals: Transmedia Storytelling in Asia and Pacific Region. An edited volume...
Read MoreCfP: JDMP (former IJDT) special issue “Interfacing public communications in the digital economy”. Deadline: Nov 30, 2018.
Call for Papers: Journal of Digital Media and Policy (Formerly International Journal of Digital Television) Special Issue 10.3 (Autumn 2019): ‘Interfacing public communications in the digital economy’ Guest edited by Michael...
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BODYGUARD, THE INFORMER AND THE RIZ TEST by Christine Geraghty
The BBC’s audience-pulling Bodyguard (2018) ended with a twist which changed the status and...
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WHAT TELEVISION ARE WE TALKING ABOUT? PRACTICES OF TEACHING TELEVISION by Manuel José Damásio
For several years, I have watched the development of film and television education in Europe. I...
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CHARACTERISTICS OF COMFORT – WHAT MAKES FOR COMFORTING TELEVISION? by Kerr Castle
First things first: what is comfort TV? Well, the etymology of comfort presents a useful starting...
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