CfP: edited collection “The Witcher: A Companion”. Deadline: June 28, 2024.
The Witcher has had a lasting impression on fantasy across many media forms, first in Andrzej...
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Author: CSTonline
CfP: The Taylor Swift Unconference, July 4, 2024 @ University of Amsterdam (NED). Deadline: May 6, 2024.
Dear all, On July 4, 5 and 6, Taylor Swift will perform in Amsterdam, consequent to the Celebrity...
Read MoreWHY MANAGEMENT IS THE KEY TO CHANGING THE LABOUR EXPERIENCE by Christa van Raalte and Richard Wallis
Television careers offer many potential benefits: opportunities for creative expression, a sense of making a difference in the world, flexibility and autonomy – but often at a price. That price includes long hours,...
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WHODUNNIT? SUSPECTS’ AUTHORSHIP by Melissa Beattie
While improvised or unscripted television has been a feature of media industries for decades, most...
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ALIENATING(?) EXPERIENCES: THE VISITOR by Melissa Beattie
The mid-1990s were an unusual time to grow up in the US (at least I thought so). The success of...
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HIS-STORY: BIG FINISH’S WHOVIAN PARATEXTS by Melissa Beattie
(Note: this blog is a version of a paper given at the Classical Association Annual Conference on...
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CfP: symposium “‘A word, after a word, after a word is power’: The Hulu Adaptation of Margaret Atwood’s The Handmaid’s Tale”. September 13, 2024 @ University of Northumbria (UK). Deadline: May 17, 2024.
Call for Papers: ‘A word, after a word, after a word is power’: The Hulu Adaptation of Margaret...
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CINDERELLAS AT THE BAFTA BALL by Christa van Raalte
This blog first appeared on the Women’s Film and Television History Network – UK/Ireland website...
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CfP: hybrid conference “The Flowing Image: The Ocean On-Screen”. August 28-29, 2024 @ The University of Southampton (UK). Deadline: May 31, 2024.
The Flowing Image: The Ocean On-Screen 28-29th August 2024 Hybrid MS Teams & The University of...
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CfP: JBCT special issue on the theme of transmission and transmitters. Deadline: April 30, 2024.
Call for Papers: Special issue of Journal of British Cinema and Television on the theme of...
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CfP: “Researching Media Audiences from the Movie Theatre to the Digital Age: Methods, Challenges, Opportunities”. April 29, 2024 @ Lancaster University (UK). Deadline: March 29, 2024.
Organizers: The Audience Network at Lancaster University (ANLU) Confirmed Speaker: Prof. Annette...
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Call for Book reviewers – Critical Studies in Television
The Book Reviews Section for the journal Critical Studies in Television is interested in adding to...
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‘AS GOD IS MY WITNESS, I THOUGHT TURKEYS COULD FLY’: WKRP IN CINCINNATI AND ITS ENGAGEMENTS WITH CSR by Melissa Beattie
Commercial radio has a long history in the US. It is in this context that sitcom WKRP in...
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CfP: Invisible Evidence XXX “Decentring Documentary: New Visions and Perspectives”. December 17-20, 2024 @ Monash University, Melbourne (AU). Deadline: April 12, 2024.
This year marks the thirtieth instalment of the Visible Evidence Conference, the preeminent event...
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‘O CANADA’? REPRESENTING CANADIANNESS IN ‘ONE WEEK’ by Melissa Beattie
‘It’s been…’ For those of a certain age and/or certain geographic range, that partial lyric...
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CfP: conference ‘Weddings and Funerals: UK Screen Industries in a Global Context, 1994-2024’. June 13-14, 2024 @ University of Liverpool (UK). Deadline: March 24, 2024.
Conference call for papers: ‘Weddings and Funerals: UK Screen Industries in a Global Context,...
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‘WE WANTED TO INCITE CHANGE’: HOW PRODUCTION PRACTICES ON A KIND OF SPARK CAN MAKE TELEVISION BETTER FOR ALL OF US by Mhairi Brennan
This month the University of Stirling published the largest ever study of autistic people’s...
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CfP: conference “US Network Series of the 2000s”. Oct 10-11, 2024 @ Université Paul-Valéry Montpellier 3 (FR). Deadline: April 30, 2024
Please scroll down for French language version Following the conferences devoted to US network...
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CfP: conference “Old and New Science Fiction Imaginaries in English-Speaking Cinema and Television”. Sept 2-4, 2024 @ Milano (IT). Deadline: May 03, 2024
In an interview about the end of the last millennium, James Ballard argued that Science Fiction...
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INITE SE FÒS: HEROES AND HAITI by Melissa Beattie
Though not well-studied academically,[1] the NBC series Heroes (2006-2010; 2015) is notable for...
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CfP: edited collection “Global Perspectives on Soccer and the Media and Entertainment Industry”. Deadline: March 17, 2024.
Global Perspectives on Soccer and the Media and Entertainment Industry Floribert Patrick C. Endong...
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CfP: JCCA special issue “When the Shadow Flickers: The Moving Image in Contemporary Chinese Art”. Deadline: March 1, 2024
Call for Papers: ‘When the Shadow Flickers: The Moving Image in Contemporary Chinese Art’ Volume...
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CfP: Scottish Film and Television: Where Now? A Colloquium. June 13, 2024 @ Queen Margaret University, Edinburgh (SCOT). Deadline: March 08, 2024.
When: Tue 13 June 2024, 10am-4pm Where: Queen Margaret University, Edinburgh (in person) Since the...
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CfP: conference “Media Business Models: Trends & Challenges”. April 16-17, 2024 @ British University in Egypt, Cairo (EG). Deadline: Feb 28, 2024
Media Business Models: Trends & Challenges Second International Conference (Hybrid) British...
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THE CRISIS IN UK TV AND WHAT IT MEANS FOR CULTURE AND SOCIAL JUSTICE by Mhairi Brennan and Jack Newsinger
2024 has started with a bang for TV. Shows like The Traitors (BBC1) and Mr Bates vs The Post...
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