CfP: edited collection “Push: Childbirth in Global Screen Culture”. Deadline: July 1, 2024
Final Call for Papers Push: Childbirth in Global Screen Culture Amy C. Chambers, Xi W. Liu, Kate...
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Author: CSTonline
‘IT’S NOT THAT DIFFERENT’: SPATIOTEMPORAL DISPLACEMENT AND QUEER IDENTITIES IN WHAT WE DO IN THE SHADOWS by Melissa Beattie
Nandor the Relentless (Kayvan Novak): ‘It might have been a he. They [his wives] weren’t all...
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PRIDE AND PREJUDICE: SUCCESSION AND (AS?) ROMANTIC COMEDY by Melissa Beattie
(Note: This is the third and final part of a series of linked blogs. Part One can be found here...
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CfP: TNM special issue “Streaming Production Cultures”. Deadline: June 28, 2024
Dear colleagues, We would like to draw your attention to a special issue of Television & New...
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CfP: edited collection “Queer Children’s Film and TV: Gender, Sexuality and Childhood in Youth Screen Cultures”. Deadline: June 15, 2024
Call for Papers Queer Children’s Film and TV: Gender, Sexuality and Childhood in Youth...
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CfP: MECCSA Postgraduate Network Conference 2024 on “Identity”. August 30, 2024 @ Edinburg Napier University (SCOT). Deadline: June 14, 2024
Media, Communication and Cultural Studies Association Postgraduate Network Conference 2024...
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LE ROY EST MORT; VIVE LE ROY! SUCCESSION AND HISTORY by Melissa Beattie
(NB: This is the second of three linked blogs. Part One can be found here). In the previous...
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ACCIDENTALLY LIKE A MARTYR: SUCCESSION AND RELIGION by Melissa Beattie
(NB: This is the first of three linked blogs. Part Two can be found here). In my first ever blog...
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NAI ZINDAGI NAYA JEEVAN (BBC1, 1968-82) AND NAZIA HASSAN by Dipali Das
This post first appeared on the WFTHN blog on 24 May 2024. For pop and rock music...
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CfP: edited collection “Screen Storytellers: The Works of Susan Harris”. Deadline: June 30, 2024
se see the following CFP for an edited collected on television series created by Golden...
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CfP: PopMeC conference “Frontiers and Wastelands. The Boundaries of US American Identity”. November 25-26, 2024 @ Universidad de Alcalá, Madrid (ES). Deadline: June 17, 2024.
KEYNOTES Katlin Marisol Sweeney-Romero (UC Davis), S. Jonathon O’Donnell (Queen’s University...
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IF ONLY WE WERE HUMAN: THE (USUAL) CONCEPTUALISATION OF INFRASTRUCTURE AS TECHNOLOGY by Elke Weissmann
There are, I believe, in all countries myths that emphasise some places as outliers, as different...
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‘ARE WE THE BADDIES?’: CANADIAN INTELLIGENCE AND PERCEIVED-AMERICAN OVERREACH by Melissa Beattie
For understandable, if not necessarily justified, reasons, the American Central Intelligence...
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CfP: conference “Neo/Noir and Thriller Imaginaries in US American Culture”. Sept 6-7, 2024 @ online. Deadline: June 17, 2024
The virtual conference will focus on US American imaginaries related to neo/noir and thriller...
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CfP: conference “Dementia Futures”. Jan 22-24, 2025 @ University of Manchester (UK).
Dementia Futures Call for Papers 22-24 January 2025 Martin Harris Centre, University of...
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CfP: VIEW Journal “Echoes and Frequencies. Tele-Visions and Wireless Technologies”. Deadline: June 15, 2024
Editors : Léa Dreyer, Evgenii Kozlov, Pierre-Jacques Pernuit, Clara Royer, Anne-Katrin Weber In...
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MUSIC FOR PRIME TIME by Andrew Pixley
Okay, so… this is a book review. Sounds a bit boring doesn’t it? I mean – a book review. I can’t...
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BABY REINDEER AND THE PROBLEMATIC OWNERSHIP OF BAD FANS by Daniel O’Brien
Regardless as to whether you have seen it, you probably have some awareness of Baby Reindeer, the...
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A PIRATE LOOKS AT FORTY: OUR FLAG MEANS DEATH AND LIFE CRISES by Melissa Beattie
‘Mother, Mother Ocean/After all the years I’ve found My occupational hazard/Being my occupation’s...
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CfP: edited collection “The Witcher: A Companion”. Deadline: June 28, 2024.
The Witcher has had a lasting impression on fantasy across many media forms, first in Andrzej...
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CfP: The Taylor Swift Unconference, July 4, 2024 @ University of Amsterdam (NED). Deadline: May 6, 2024.
Dear all, On July 4, 5 and 6, Taylor Swift will perform in Amsterdam, consequent to the Celebrity...
Read MoreWHY MANAGEMENT IS THE KEY TO CHANGING THE LABOUR EXPERIENCE by Christa van Raalte and Richard Wallis
Television careers offer many potential benefits: opportunities for creative expression, a sense of making a difference in the world, flexibility and autonomy – but often at a price. That price includes long hours,...
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WHODUNNIT? SUSPECTS’ AUTHORSHIP by Melissa Beattie
While improvised or unscripted television has been a feature of media industries for decades, most...
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ALIENATING(?) EXPERIENCES: THE VISITOR by Melissa Beattie
The mid-1990s were an unusual time to grow up in the US (at least I thought so). The success of...
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HIS-STORY: BIG FINISH’S WHOVIAN PARATEXTS by Melissa Beattie
(Note: this blog is a version of a paper given at the Classical Association Annual Conference on...
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