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• THE EUROPEAN AUDIOVISUAL AND CREATIVE SECTORS AT A CROSSROADS by Manuel José Damásio November 27, 2020
• CURRENT AFFAIRS OR COMFORT TV?: VOD OFFERINGS IN THE AGE OF COVID-19 by JP Kelly November 27, 2020
• “HOW DID 1970S BRITAIN ENABLE ITS DEADLIEST KILLER?” FEMINIST REVISIONIST RE-MEDIATION OF THE ‘RIPPER’ YEARS IN THE YORKSHIRE RIPPER FILES: A VERY BRITISH CRIME STORY (2019) by Hannah Hamad November 27, 2020
• THE DANISH SERIAL ODA OMVENDT (‘ODA UPSIDE DOWN’) IS MAKING REBELLIOUS LIVE ACTION CHILDREN’S FICTION FOR 3-6-YEAR-OLDS TRAVEL BEYOND THE NORDICS November 20, 2020
• MIPCOM 2020 – KEY TAKEAWAYS by Heidi Keinonen and Eerika Vermilä November 20, 2020
• NON-HUMAN PERFORMANCE, MISE-EN-SCENE AND THE TRANSNATIONAL: SKIPPY THE BUSH KANGAROO by Jonathan Bignell November 20, 2020
• EMOTIONAL CONSOLATION, POLITICAL ESCAPISM AND POST-OBJECT FANDOM: RE-WATCHING AND RE-STAGING THE WEST WING IN 2020 by Rebecca Williams November 13, 2020