WHAT FUTURE FOR IRISH PUBLIC SERVICE TELEVISION?: RTÉ TELEVISION AND TECHNOLOGICAL ADAPTATION by Sarah Arnold
September 2020 saw the establishment of the Future of Media Commission in Ireland, which is tasked...
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REFLECTIONS ON MEDIA EDUCATION DURING THE COVID-19 LOCKDOWNS by Sarah Arnold
Like many other lecturers and tutors of media and creative industries courses, I have spent much...
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FROM EDUCATION TO WORK: MEDIA GRADUATES’ EXPERIENCE OF THE MEDIA INDUSTRIES by Anne O’Brien and Sarah Arnold
In Ireland in recent weeks, national broadcaster, RTÉ, has not only been a news producer but a...
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REALITY TV: TENDER TELEVISION, ‘TRASH’ TELEVISION AND THE DUTY OF CARE TOWARDS PARTICIPANTS by Sarah Arnold
A few years ago a colleague suggested that I watch an unusual television programme about people...
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BETWEEN PROGRAMME POLICY AND PRACTICE: GENDER, DIVERSITY AND THE CASE OF RTÉ’S CHILDREN’S CHRISTMAS SHOW, THE LATE LATE TOY SHOW by Sarah Arnold
RTÉ recognises that it is in the privileged position of reflecting and shaping our understanding...
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THE BBC GENDER PROBLEM: A CENTURY IN THE MAKING by Sarah Arnold
Last year I had the opportunity to spend time researching the women involved in the development of...
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