Watching Blue Lights by James Walters

Jan 30, 2026

CURRICULEE CURRICULA by Andrew Pixley

Jan 30, 2026

The Weather Where You Aren’t: Webcams and Weather ...

Jan 30, 2026

‘Oh, I’m Canadian’: (Some) Multicultural Represent...

Dec 19, 2025

‘Small. Far Away’: Father Ted’s ‘Craggy Island’ &#...

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Slow Television, Vivid Crime: Steven Zaillian’s Ripley and the Aesthetics of Duration by Sérgio Dias Branco

Feb 6, 2026

Steven Zaillian’s Ripley (2024), available on Netflix, arrives with the familiar signals of prestige adaptation: a canonical literary source (Patricia Highsmith’s The Talented Mr. Ripley), European locations, meticulous...

Watching Blue Lights by James Walters

Jan 30, 2026
CURRICULEE CURRICULA by Andrew Pixley

Jan 30, 2026
The Weather Where You Aren’t: Webcams and Weather TV by Melissa Beattie

Jan 30, 2026
‘Oh, I’m Canadian’: (Some) Multicultural Representation in Stargate Atlantis – by Melissa Beattie

Dec 19, 2025
‘Small. Far Away’: Father Ted’s ‘Craggy Island’ – by Melissa Beattie

Dec 19, 2025

CFPs, conference, Conferences/events, Events

CfP: edited collection “The Aesthetics and Politics of Fight Choreography in Film and TV Series”. Deadline: Feb 28, 2026

Dec 19, 2025

Special Issue edited by Amandine D’Azevedo, Anissa Medjebeur and David Roche (Université de...

Recent Posts

Slow Television, Vivid Crime: Steven Zaillian’s Ripley and the Aesthetics of Duration by Sérgio Dias Branco February 6, 2026
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The Weather Where You Aren’t: Webcams and Weather TV by Melissa Beattie January 30, 2026
‘Oh, I’m Canadian’: (Some) Multicultural Representation in Stargate Atlantis – by Melissa Beattie December 19, 2025

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