A TALE OF TWO POSTERS: NEGOTIATING PARATEXTUALITY AND AFFECT IN ‘OFFICIAL’ AND ‘UNOFFICIAL’ PUBLICITY FOR THE NEW TWIN PEAKS by Ross Garner
In this blog post I want to challenge the separation of ‘official’ and ‘unofficial’ paratexts as divergent trajectories within what Jonathan Hardy (2011) has named the ‘commercial intertextuality’ of contemporary television series.
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