Call for chapters: edited collection “Revising Alice”. Deadline: April 17, 2023.
Editors: Professor Anna Backman Rogers, University of Gothenburg, Sweden, and Dr Houman Sadri,...
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Author: CSTonline
CfP: conference “21st Century Magic and Spirituality in Media and Culture”. June 30, 2023 @ Goldsmiths, University of London (UK). Deadline: April 26, 2023.
The 21st century has seen an exponential rise of what can be loosely defined as spiritual media...
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STAR TREK: DISCOVERY VS. THE TRUMP AGENDA by Teresa Forde
The Trump administration prompted a space for dissent, critique and counter positioning within the...
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‘THE QUEEN MIGHT BE LISTENING!’: SLINGS & ARROWS AND CANADIAN SHAKESPEARE by Melissa Beattie
The very first episode of Monty Python’s Flying Circus (BBC, 1969-1974) asked ‘Whither Canada?’,...
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CfP: ECREA Television Section Conference 2023 “Redefining Televisuality: Programmes, Practices, Methods”. Oct 25-27, 2023 @ Filmuniversität Babelsberg Konrad Wolf (GER). Deadline: May 1, 2023.
Televisuality, as theorised by John T. Caldwell in 1995, allows for a holistic view on the unique...
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SWITCHED ON TO ITVX by Christine Geraghty
In my first CST blog, over 10 years ago now, I confessed that I was a late adopter of television...
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CfP: conference “Sound on Screen “. July 5-6, 2023 @ Oxford Brookes University (UK) and hybrid. Deadline: March 24, 2023.
SOUND ON SCREEN II HYBRID CONFERENCE, OXFORD BROOKES UNIVERSITY, 5th-6th JULY 2023 CALL FOR...
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Event: Disney at 100 Years: Everlasting Entertainment and a Spellbinding Future. June 26-30, 2023 @ online.
Monday 26th June – Friday 30th June 2023: The Disney, Culture and Society’s First...
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CfP: edited collection ‘Personified Body Parts and Organs with a Mind of Their Own in Cinema, Literature and Visual Culture’. Deadline: April 20, 2023.
This collection initially examines cinematic, televisual, literary, visual and poetic...
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CfP: “Screening Spaces of Youth” Symposium, June 02, 2023 @ online. Deadline: March 31, 2023.
Screening Spaces of Youth Symposium Online (Zoom), 2 June 2023 “Screening Spaces of...
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